TOSCA

COMPLETE OPERA - 2 CDs

 

 

Synopsis

Scene: Rome.

Time: June 1800.

Act I

Angelotti, an escaped political offender, seeks refuge in the church of Sant'Andrea della Valle where his family has a chapel. Here his sister, the Marchesa Attavanti, while praying for his release, has unwittingly served as a model to the painter Mario Cavaradossi for his picture of the Magdalen. Just a moment before a sacristan enters (followed shortly by Cavaradossi), Angelotti conceals himself in his private chapel; the sacristan assists the painter washing his brushes. Cavaradossi stops his work for a moment, regarding a medallion he had in his pocket: this medallion contains a miniature of Tosca and he makes a comparison between her and the model he was portraying (Recondita armonia – "Concealed harmony").

The sacristan makes a controcanto (Scherza con i fanti e lascia stare i santi - which became a proverb: play with servants but respect saints), then leaves Cavaradossi alone to paint. Angelotti, thinking the church deserted, leaves his chapel. Upon seeing Cavaradossi, Angelotti rejoices: Cavaradossi is his friend and political ally. Angelotti begins to tell of his escape from Castel Sant'Angelo (papal Roman prison) but Tosca arrives. Cavaradossi gives him some food and helps him return to hide in the chapel.

Floria Tosca is a famous opera singer; she is here to invite her lover Mario to meet her after her performance later that evening. However, Tosca is prone to jealousy, and her suspicions have been aroused, having heard Cavaradossi's speaking to someone upon her arrival. She jealously imagines an intrigue with a woman, and her fears are apparently confirmed by the portrait of Mary Magdalene, for whom she clearly was not the model -- Tosca has brown eyes, whereas the woman in the portrait has blue. Finally, Tosca realizes Mario has used Marchesa Attavanti as the model, but Mario assuages her suspicions. (Qual occhio al mondo – "What eyes in the world can be compared to your eyes"). Tosca, her jealousy abated, leaves, but not before playfully insisting he make the Magdalene's eyes dark, like hers.

Angelotti reappears, and his escape is planned: Angelotti will don woman's attire (that his sister had hidden in the altar) and flee to Cavaradossi's villa; if necessary, Angelotti will hide the well. Cavaradossi swears, even if it costs him his life, he will save Angelotti from the wicked Scarpia (La vita mi costasse, vi salveró – "Even if it costs me my life, I'll save you"). A cannon shot from the fortress (Castel Sant'Angelo) warns that his escape has been discovered and compels him to flee; the painter exits the church with him.

The sacristan returns surrounded by a laughing crowd of choir boys and acolytes. (Sacristan and chorus: Tutta qui la cantoria! – “All here, into the choir loft”) They falsely believe that Napoleon has been defeated and are there to sing a thankful Te Deum, when Scarpia, chief of police, arrives with Spoletta and some of his men in search of the escaped prisoner. In the Attavantis' chapel Spoletta finds the fan of the Marchesa and the painter's basket emptied of food and wine. Scarpia threateningly asks the sacristan about this, who claims Cavaradossi did not have the key to the chapel and had not expressed any interest in the food; Tosca returns, still suspicious, and Scarpia watches her from behind a pillar. Meanwhile the church fills up and a Cardinal prepares for the Te Deum. Scarpia arouses Tosca's jealousy by producing Attavanti's fan, and she departs in anger. Ordering his agent to follow her (Tre sbirri, una carrozza . . . – "Three policeman, a carriage . . ."), he passionately avows his love for the singer, then kneels devoutly in prayer. (Scarpia: Va' Tosca, nel tuo cuor s'annida Scarpia – "Go, Tosca, in your heart is nesting Scarpia"; Chorus: Adiutorium nostrum – "My help is in God's name"; Scarpia: A doppia mira tendo il voler – "At two goals I aim my desire").

 

Act II

In the Palazzo Farnese (now the embassy of France) where he lives, Scarpia is dining, while celebrations are heard outside. He sends a servant to invite Tosca to join him when she finishes with her recital. Cynically he sings of pleasure (Ella verrà per amor del suo Mario – "She will come out of love for her Mario" and Ha più forte sapore la conquista violenta – "The violent conquest has a stronger flavor) presuming she will surrender to his power.

Spoletta, his agent, enters with Cavaradossi in custody but without Angelotti, who has eluded him. Scarpia closely questions the painter, but Cavaradossi reveals nothing. Tosca arrives and the painter whispers to her not to say anything about Angelotti. Scarpia sends Cavaradossi off to be tortured, then turns his attention to Tosca (Scarpia: Ed or fra noi parliam da buoni amici – “Now, let us talk like good friends”) Scarpia describes to her in detail her lover’s anguish under torture. She can hear his groans, but is powerless to help him. At last, utterly prostrated, she divulges Angelotti’s hiding-place. The painter is brought out, and Scarpia indicates he knows where Angelotti is hiding. In his pain and humiliation, Cavaradossi denounces Tosca for her betrayal of the secret.

Distant drums announce the probable victory of Bonaparte over Vatican forces. Cavaradossi, exulting (Cavaradossi: “Vittoria!”), is dragged away to prison. Tosca tries to follow him, but Scarpia holds her back. She asks him what the price is to free Mario (Scarpia: Mi dicon venal – “They say I'm venal.”) He avows his passion for her and lasciviously demands her body, her virtue, her herself as the price to save Mario’s freedom. Tosca attempts to flee but is restrained by Scarpia as he attempts to rape her. During the struggle drums are heard -- Scarpia indicates that they are the drums beating Cavaradossi to the scaffold. Tosca finally collapses and asks the Lord the reason for all this cruelty against her (Tosca: Vissi d'arte, vissi d'amore – “I lived on art, I lived on love”; Scarpia: Sei troppo bella, Tosca, e troppo amante – “You're too beautiful, Tosca, and too loving”). Spoletta enters to announce that Angelotti committed suicide just as Scarpia’s agents discovered him in the well at Cavaradossi’s villa.

Feeling as if she has no alternative, Tosca finally agrees to yield. Scarpia then orders Spoletta to organize for a mock execution of Cavaradossi, and Tosca demands a safe-conduct for herself and the painter to leave the country. While she is waiting for Scarpia to write it, she notices a knife on the table, and makes the decision to kill Scarpia rather than allow him to rape her. As he advances to embrace her, she stabs him. (Questo è il bacio di Tosca– "This is Tosca's kiss"). Having piously composed the body for burial, she departs to the sound of drums in the distance (E avanti a lui tremava tutta Roma – "And before him trembled all of Rome).

 

Act III

Church bells announce the beginning of the day while a shepherd sings a stornello in romanesco, the Roman dialect. Cavaradossi, in prison, awaits his execution. For the price of a ring (his last possession), Cavaradossi convinces a jailer to deliver a note to Tosca, then starts writing a farewell letter (E lucevan le stelle – “And the stars were shining.”). With the last line (E non ho amato mai tanto la vita – "And never have I loved life so much"), he bursts into tears.

She enters with Spoletta and a sergeant, bringing the safe-conduct and explains to him how she killed Scarpia in order to save them both. (Tosca: Il tuo sangue o il mio amor volea – “He wanted your blood or my love”) She then explains the mock execution which she believes to be arranged for him, and with triumphant and high emotion, they begin to dream of their future together. (Duet: Senti, l'ora è vicina – “Listen, the hour is near.”)(Cavaradossi: Amaro sol per te m'era il morire – "Dying was bitter only because of you"; Tosca: Amore che seppe a te vita serbare – "My love, which was able to save your life"; final duet: Trionfal... di nova speme – "Triumphant, with new hope.")

The soldiers fire; Mario falls. Tosca playfully compliments Mario on his marvellous acting (Ecco un artista – "There's an artist"). When the executioners leave, Tosca runs to Mario and tells him to get up. When he does not respond, Tosca realizes the truth: Scarpia had never intended to spare Cavaradossi, but had given Spoletta orders to execute him. Cavaradossi lies dead. As Tosca comes to this realization, Spoletta, who has discovered Scarpia's death, enters with soldiers, denouncing her as a murderer. He comes forward to take Tosca prisoner, but she pushes him away. She then jumps from the ramparts of the castle and falls to her death.

(From WIKIPEDIA)

Order from Amazon.com

Order from iClassics.com